Can You Remove a Getty Preview Watermark? What Getty's Own License Says

You can strip the pixels off a Getty preview, and it changes nothing you actually care about: the license, not the watermark, decides what you may do with the image. Those are two separate questions, and Getty's own Content License Agreement answers both - without using the word "watermark" even once.

The agreement (retrieved from gettyimages.com/license-info, marked "LAST UPDATED: April 2026") calls the preview file a comp and says, verbatim: "You are welcome to use content from the Getty Images site on a complimentary basis for test or sample (composite or comp) use only, for up to 30 days following download. However, unless a license is purchased, content cannot be used in any final materials or any publicly available materials. No other rights or warranties are granted for comp use."

Read that as two halves. The permission covers test or sample use for 30 days - and editing is part of "use" under the agreement's own definition. The restriction covers what the file can never become: a final material or a public one. Removing the mark does not move the file across that line. It removes the only thing on your screen that reminded you the line was there.

Below: the comp clause quoted in full, the zero-count finding on "watermark", the edit/use distinction that decides the question, Getty's actual enforcement text, and what a cleaned comp still is not.

Before and after: a tiled preview watermark removed in the browser
A real run on watermarkstrip.com — a tiled preview watermark (left) is painted over and removed (right). Removing the mark does not change the license; see the page.

What Getty's license says about comp use, quoted in full

Everything quoted on this page comes from one retrievable source: Getty Images' Content License Agreement, published at gettyimages.com/license-info, marked "LAST UPDATED: April 2026". I retrieved the full text on September 23, 2026, and every quote below is word for word from it. The agreement opens by naming itself:

"This is a license agreement between you and Getty Images that explains how you can use photos, illustrations, vectors, and video clips (individually and collectively, 'content') that you license from Getty Images. By downloading content from Getty Images, you accept the terms of this agreement."

Inside the license-models section, it defines the file this question is about:

"Comp license: You are welcome to use content from the Getty Images site on a complimentary basis for test or sample (composite or comp) use only, for up to 30 days following download. However, unless a license is purchased, content cannot be used in any final materials or any publicly available materials. No other rights or warranties are granted for comp use."

Three sentences. A permission (test or sample use, up to 30 days), a prohibition (final materials, publicly available materials), and a warranty disclaimer. That is the entire contract around the file you downloaded. There is no other clause about comps or previews anywhere else in the document.

The word "watermark" appears zero times in the agreement

This is an observation about a text I actually retrieved, and you can repeat it: pull the full text of gettyimages.com/license-info and search it. Case-insensitive:

So this contract contains no "do not remove the watermark" sentence, no anti-circumvention clause, no clause that makes the act of stripping the mark itself a breach. There is nothing to quote, because Getty did not write one - not in this document, as of the text I retrieved.

Inference, labelled as such: the omission looks deliberate rather than accidental. A clause banning mark removal would add little - the edit cannot get anyone anything (see the file-level argument below) - and the final/public-use prohibition already covers every case that matters to Getty. That is my reading, not a Getty statement.

If you came from the Adobe Stock version of this question, the contrast is real but narrow: Adobe's terms do not ban removal either, but Adobe at least names the comp file "a watermarked Work". Getty's text never goes that far - the mark is simply never mentioned. Both pages agree on the substance: the contract regulates use, not edits. The Adobe page, with its terms quoted, is here.

Editing is a 'use': the definition that decides this question

Getty's agreement defines its key term, verbatim:

"For purposes of this agreement, 'use' means to copy, reproduce, modify, edit, synchronize, perform, display, broadcast, publish, or otherwise make use of. Please make sure you read the Restricted Uses section below for exceptions."

Modify and edit sit inside "use". That matters more than it looks. The comp clause's permission - "test or sample (composite or comp) use" - is a permission to use, and editing is a use. So retouching the comp, which includes removing the mark, is an activity the agreement already addresses: it is permitted exactly to the extent the underlying use is test or sample use within the 30 days. The prohibition half is written against uses too - "final materials" and "publicly available materials" are categories describing what you do with the result, not what you did to the file.

The practical matrix that falls straight out of the text:

The watermark's presence or absence does not appear anywhere in that matrix. It never does.

What Getty's enforcement text actually says

No removal ban - but the agreement is not toothless, and the teeth it does have are quoted here rather than paraphrased.

Monitoring. Verbatim: "Getty Images reserves the right to monitor downloads and user activity to ensure compliance with the terms of this agreement. If Getty Images determines that you are in breach of this or any other term of this agreement, it may suspend access to your account and seek further legal remedies."

Termination on breach. Verbatim: "Getty Images may terminate this agreement at any time if you breach any of the terms of this or any other agreement with Getty Images, in which case you must immediately: cease using the content; delete or destroy any copies; and, if requested, confirm to Getty Images in writing that you have complied with these requirements."

The indemnity carve-out almost nobody mentions. In Section 10, Getty promises to defend and indemnify you against damages arising from its own breach of the warranties in Section 9 - the protection that matters when licensed content turns out to infringe someone's right. That protection carries an exclusion, verbatim: "This indemnification does not apply to the extent any damages, costs or losses arise out of or are a result of modifications made by you to the content or the context in which the content is used by you."

My reading, labelled as such: a cleaned comp is a modified file, deployed in a context of your choosing. If that combination lands you in an infringement dispute, this sentence says Getty's duty to defend does not reach damages flowing from your modifications or your context. Removing the mark is about the most literal "modifications made by you to the content" the document could name. I am not asserting Getty would invoke it in any particular case - I am saying the sentence is in the agreement, and it is about modifications.

Why the cleaned file is still just the preview

Set the contract aside; this part is about files. A comp is a derivative render Getty serves for evaluation. The licensed original is a different file, produced from the full-quality source. Whatever sits under the watermark in your comp, the comp does not contain the original's detail.

On this site the fill makes that ceiling concrete. The removal is propagation-based (Telea's Fast-Marching Method, implemented in the page): masked pixels are filled by weighted averages of pixels already present around the mark, with the weights set by how well each neighbour's gradient points into the hole. Every pixel in the result comes from your file. Not one pixel is invented, and not one pixel of the original's lost detail is recovered. A clean-looking result is the preview, cleaned - a plausible interpolation of what the preview already held.

That is also why the contract does not need a removal ban: the edit cannot get anyone anything. If you need the full image, the licensed download is the only thing that has it. The fuller argument - why "does the tool invent pixels?" should be the first question you ask of any remover - is on Generative vs Propagation Watermark Removal.

What to do instead, in order

  1. Already licensed it? Stop working on the comp. Download the licensed file from your account. It is the file you paid for, at full quality, and it needs no cleaning.
  2. Not licensed yet? Keep the mark while it is a preview. The comp clause gives you 30 days of complimentary test/sample use from download. A layout mockup with the Getty mark on it is honest about its own status, and the clause covers it.
  3. Need a clean internal comp inside the 30 days? Do the edit somewhere that neither uploads nor retains the file. On this site the removal runs entirely in your browser: the tool's JavaScript contains no fetch, no XMLHttpRequest, no WebSocket, no sendBeacon, and no storage writes - no localStorage, sessionStorage, indexedDB or cookies. To verify any tool yourself: the 60-second upload test.
  4. Decide inside 30 days, not eventually. The clock here is shorter than Adobe's 90-day comp window. And the termination clause quoted above ends your rights immediately on breach, with destruction of copies required.
  5. No license at all, image not yours? Do not strip anything. That is a copyright question, not a comp question, and it does not depend on which tool you use. The statutes, quoted: Is Removing a Watermark Illegal?

How this tool behaves on a Getty comp, stated before you start

What I could not verify, stated plainly

Where the claims on this page come from

FAQ

Related reading